/2018

November 2018

Executive Education Programme – Owning and Investing in Art: Opportunities, Challenges, and Risks

2019-03-03T06:45:55+00:00

We are pleased to present you an outstanding executive programme offered by the UNIVERSITY OF LUXEMBOURG and its COMPETENCE CENTER in association with CHRISTIE'S EDUCATION - Owning and Investing in Art: Opportunities, Challenges, and Risks. For more information visit: www.iuil.lu/fr/formations/nos-programmes-de-formations/art-and-finance

Executive Education Programme – Owning and Investing in Art: Opportunities, Challenges, and Risks 2019-03-03T06:45:55+00:00

September 2018

March 2018

A Crowd Investment Platform

2018-05-30T14:59:51+00:00

Etienne Verbist is an authority in the field of crowd sourcing, disruptive business modelling and disruptive art. After a well filled career with companies such as GE, Etienne was an early adopter of crowd sourcing. Etienne is manager Europe and Africa for Crowd Sourcing Week, a board advisor to a broad range of companies on innovation and new technology, curator of the Disruptive Art Museum a�� the smallest museum in the world a�� and columnist for ArtDependence Magazine.

A Crowd Investment Platform 2018-05-30T14:59:51+00:00

February 2018

TEFAF 2018

2018-05-30T14:59:52+00:00

LAFA members are welcome to join "Les Amis des MusA�es Luxembourg" on the trip to TEFAF 2018, Maastricht.

TEFAF 2018 2018-05-30T14:59:52+00:00

January 2018

Building an Art Market 2.0

2018-05-30T14:59:52+00:00

Friday, 2 February 2018, artgenA?ve, Salon da��art,Palexpo, Geneva Join us for our second conference and launch of RAMa��s a�?Art Due Diligence Toolkita�?. We will be discussing the importance of due diligence and the place of technology in modern-day art transactions. What opportunities and threats do they present for art professionals and collectors ?

Building an Art Market 2.0 2018-05-30T14:59:52+00:00

Le prix de l’art a un genre

2018-05-30T14:59:52+00:00

Le professeur Roman Kräussl de la Luxembourg School of Finance s’est penché sur 40 ans de données de ventes aux enchères, et le résultat est sans appel: les œuvres d’artistes féminines se vendent bien moins cher que celles de leurs homologues masculins.

Le prix de l’art a un genre 2018-05-30T14:59:52+00:00